Read our modern English translation of this scene. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Summary Act 3. . At Shylock's house, Jessica, who is his rebellious daughter, laments Lancelot's impending departure. Now, with the arrival of Lorenzo, Jessica, and Salerino from Venice, these two worlds meet, and the evils of wealth, spawned in Venice, disrupt the happy serenity of Belmont. This admission, in turn, relieves Portia’s anxiety somewhat, and her old spirit of jesting returns and she wittily picks up on Bassanio’s choice of metaphor and teases him. This witty wordplay has the effect of delaying the choice of caskets and further allowing Portia to relax and display her spirit and sense of wit. She makes a decision and immediately attempts to put it into effect. Merchant of Venice Act 4 Scene 2 Summary, Merchant of Venice Workbook Answers. She hands him a letter to take to Lorenzo, who is supposed to be a guest of Bassanio's that night. Next. She asks him to hang out with her for a month or two before he takes the casket test, as she'd rather have him around for a while before he's forced to leave her company if (when?) Notes. Graziano and Lorenzo remark that Antonio does not look well before exiting, leaving Bassanio alone with Antonio. As Portia welcomes her fiancé's old friends, Bassanio opens Antonio's letter. The words seem to warn him not to judge by external appearance. He extends this perception to law, religion, military honor, and physical beauty. This scene, set in Belmont, is quite significant. Chapter Summary for William Shakespeare's The Merchant of Venice, act 3 scene 1 summary. When Portia understands that it is Bassanio’s “dear friend that is thus in trouble,” she offers to pay any amount to prevent his suffering “through Bassanio’s fault.” But first, she and Bassanio will be married and then immediately afterwards he must go to Antonio’s aid, “for never shall you lie by Portia’s side / With an unquiet soul.” In Bassanio’s absence, she and Nerissa “will live as maids and widows.” Bassanio then reads to Portia the full contents of Antonio’s letter, Antonio says that he wishes only to see Bassanio before he dies; his plans “have all miscarried,” he says; his “creditors grow cruel”; his “estate is very low”; and his “bond to the Jew is forfeit.” Yet, Antonio says, all debts between him and Bassanio are “cleared,” and he says that he wishes only “that I might but see you at my death.” Portia comprehends the gravity of the situation. Next. This introduces the sub-plot of Lorenzo- Jessica love story. Merchant of Venice. Summary In Venice, Antonio has been allowed to leave the jail, accompanied by his jailer. Yet, Antonio says, all debts between him and Bassanio are "cleared," and he says that he wishes only "that I might but see you at my death." Bassanio, she says, must “First go with me to church and call me wife, / And then away to Venice to your friend!” With such decisive ingenuity, it comes as no real surprise to us later when she is able both to conceive and successfully execute the strategy of the lawyer’s disguise and the courtroom victory over Shylock. Bassanio's conduct suggests that the only use for wealth, for "all that he hath," is in giving or risking it in the pursuit of happiness, not in hoarding it or worshipping it for its own sake. Bassanio promises to wear the ring as long as he lives. Already she has fallen in love with him, and she fears the outcome. Understand every line of The Merchant of Venice. Turning to Salerio, Bassanio asks, “But is it true? And so Bassanio finally comes to choose the least likely looking casket — the leaden one — and, of course, his choice is the right one. Both Bassanio's speech and his choice of caskets touch on one of the central themes of the play — the contrast between appearance and reality; what appears to be valuable (gold and silver) turns out to be worthless, and what appears to be worthless (lead) turns out to be valuable. At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. He extends this perception to law, religion, military honor, and physical beauty. Shylock comes on the scene and Salanio and Salarino ask of news among the merchants. This long scene brings the casket story to its climax with Bassanio's choice. Bassanio must leave at once. Instead, her father, before his death, devised an unusual test. SCENE 1- Act 3 begins on a street in Venice with Salanio and Salarino. The Merchant of Venice is the story of a Jewish moneylender who demands that an antisemitic Christian offer “a pound of flesh” as collateral against a loan.First performed in 1598, Shakespeare’s study of religious difference remains controversial. His friends Salerio and Solanio attempt to cheer him up by telling him that he is only worried about his ships returning safely to port. At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. Not one, Salerio replies, and besides, even if Antonio now had the money to repay Shylock it would do no good, for Shylock is already boasting of how he will demand “justice” and the payment of the penalty for the forfeited bond. This admission, in turn, relieves Portia's anxiety somewhat, and her old spirit of jesting returns and she wittily picks up on Bassanio's choice of metaphor and teases him. Bassanio speaks directly to the audience and tells them that to… Bassanio tells her that he is desperate to choose, and feels like he is being tortured the longer he waits. Characters : Launcelot, Jessica. Merchant of Venice Act 2 Scene 2 Critical Commentary. For the first time Bassanio confesses his love for Portia, and he does so in a manner that appears shy and subdued. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. Indicative of Portia rare character in this scene is her immediate reaction to the crisis at hand. Act 2, Scene 3. Portia agrees to the double wedding, and Gratiano boastfully wagers that he and Nerissa produce a boy before they do. The Merchant of Venice Act 3 Scene 2 Summary Questions and Answers. If we ask ourselves why Bassanio is enabled to judge rightly when others fail, the answer is simply that his motive is love, rather than pride or the desire for worldly gain. His anxiety is too great. Suggestions Use up and down arrows to review and enter to select. Read our modern English translation of this scene. The central idea in the song that is used as background music while Bassanio is making his choice of caskets focuses on the word “fancy.” Fancy, for Elizabethans, carried the meaning of whimsical affection. she tells him, as her newly bethrothed lover makes ready to leave for Venice. Bassanio sees wealth as useful only in securing love and happiness. Although silver is valued as a precious metal, more often than not it is a medium of exchange — money — and again, we think of Shylock's misplaced values, which make silver an end in itself. ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. Bassanio picks up on this idea and elaborates on it when he meditates on the way in which "outward shows" mislead or deceive the observer. This scene is set in Shylock’s house. Portia agrees to the double wedding, and Gratiano boastfully wagers that he and Nerissa produce a boy before they do. Merchant of Venice. When Portia understands that it is Bassanio's "dear friend that is thus in trouble," she offers to pay any amount to prevent his suffering "through Bassanio's fault." © 2020 Houghton Mifflin Harcourt. Act 3, Scene 2. While the lovers are enjoying their happiness, Lorenzo, Jessica, and Salerio arrive. Alongside Portia's portrait, there is a scroll which tells him, "Turn you where your lady is / And claim her with a loving kiss." This causes us to think of the play’s Midas-figure — Shylock, for whom wealth is, in itself, something of final, ultimate value. Bassanio calls silver the "common drudge / 'Tween man and man." Consequently, Bassanio rejects the golden casket; it is a symbol for all “outward shows”; likewise, he rejects the silver casket, calling it a “common drudge / ‘Tween man and man.” Instead, he chooses the casket made of “meagre lead,” which is the least attractive of the caskets — if they are judged by appearance alone. Consequently, Bassanio rejects the golden casket; it is a symbol for all "outward shows"; likewise, he rejects the silver casket, calling it a "common drudge / 'Tween man and man." She begs him to share the cause of his anguish, and he tells her that he has just read “the unpleasant’st words / That ever blotted paper.” He confesses that he is deeply in debt to “a dear friend” who in turn is in debt to a dangerous enemy. Act III: Scene 2. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. Portia is plagued by suitors from the four corners of the earth but isn't allowed to choose the one she wants. So far, Venice and Belmont — the world of mercantile ventures and the world of love — have been kept separate. Her phrase "I stand for sacrifice" is particularly apt. She says she is half tempted to … At Belmont, Portia would like Bassanio to delay before he chooses one of the caskets. “O love, dispatch all business, and be gone!” she tells him, as her newly beth-othed lover makes ready to leave for Venice. Already she has fallen in love with him, and she fears the outcome. bookmarked pages associated with this title. Bassanio is obviously relieved to see that his love is returned. Jessica testifies to her father's determination to "have Antonio's flesh" rather than accept "twenty times the value of the sum" that Antonio owes. Twice, we have watched Portia prepare to become a sort of sacrificial victim, as it were, to unwanted suitors. ... Act 2, Scene 8, Page 3 Act 2, Scene 9, Page 2. "O love, dispatch all business, and be gone!" She begs him to share the cause of his anguish, and he tells her that he has just read "the unpleasant'st words / That ever blotted paper." Shylock is … In this scene, Shakespeare introduces witty and humorous characters because the Elizabethan audience loved to listen to humorous and witty remarks and droll speeches on the stage. His two friends leave after Bassanio, Graziano and Lorenzoarrive. She continues, and her attempts to verbally circumvent stating outright her feelings for Bassanio lead her to utter absolute nonsense. Modern English Reading Act III Scene II If Bassanio chooses incorrectly, Portia reasons, she will lose his company. It begins with Portia’s speech begging Bassanio to delay in making his choice of caskets, “for in choosing wrong /1 lose your company.” Essentially, this speech is evidence for us of Portia’s love for Bassanio, and the chann of her speech lies in the fact that Portia cannot openly admit her love. Portia asks Bassanio to postpone choosing the casket for some time as she would lose him if he were to choose wrong. In Bassanio's absence, she and Nerissa "will live as maids and widows." He reads it, and Portia notices that he has turned pale; the letter contains bad news. But because the play is a romantic comedy, its tone becomes lighter when Gratiano reveals that now that Bassanio has won Portia, he has won Nerissa, and his wooing is presented in bold contrast to Bassanio. The test of the caskets will be performed three times in the play, by Morocco in Act II, Scene 8, Aragon in Act II, Scene 9, and Bassanio in Act III, Scene 2. Read a character analysis of Shylock, plot summary and important quotes. Turning to Salerio, Bassanio asks, "But is it true? . Setting : Venice. Jessica feels sad that Launcelot is going to quit. On a street in Venice, Shylock presses the jailer to go after Antonio, calling Antonio a fool who lent out money for free. Instead, he chooses the casket made of "meagre lead," which is the least attractive of the caskets — if they are judged by appearance alone. Bassanio rejects both of these caskets, and his reasons are significant in the total meaning of the play. The central idea in the song that is used as background music while Bassanio is making his choice of caskets focuses on the word "fancy." A side-by-side No Fear translation of The Merchant of Venice Act 2 Scene 9. He calls gold "hard food for Midas"; Midas imagined that gold itself could be something nutritive or lifegiving, and he starved to death for his mistake. Bassanio is obviously relieved to see that his love is returned. She asks him to "tarry," to "pause a day or two," to "forbear awhile"; anything, she tells him, to … Salerio says that he has come with a letter from Antonio to Bassanio, and that he met Lorenzo and Jessica, whom he persuaded to come with him. English Maths Physics Chemistry Biology. The news of Antonio’s danger puts a fearful obstacle in the way of the fulfillment of the play’s love story, for now Bassanio is torn by an agonizing conflict between his love and loyalty toward his new wife and his love and loyalty to his old friend Antonio. His anxiety is too great. Summary; Act 1 scene 1; Act 1 scene 2; Act 1 Scene 3; Act 2 Scene 1; Act 2 Scene 2; Act 2 Scene 3; Act 2 Scene 4; Act 2 Scene 5; Act 2 Scene 6; Act 2 Scene 7; More; Treasure Trove; History; More. But first, she and Bassanio will be married and then immediately afterwards he must go to Antonio's aid, "for never shall you lie by Portia's side / With an unquiet soul." Salerio says that he has come with a letter from Antonio to Bassanio, and that he met Lorenzo and Jessica, whom he persuaded to come with him. Salarino tells Salanio that Bassanio and Gratiano have sailed for Belmont and Lorenzo was not with them. This witty wordplay has the effect of delaying the choice of caskets and further allowing Portia to relax and display her spirit and sense of wit. Merchant of Venice Act 4 Scene 2 Summary. Bassanio surveys the caskets, reads their inscriptions, and is reminded by the background music that "fancy" is sometimes bred in the heart and is sometimes bred in the head. As Portia welcomes her fiance’s old friends, Bassanio opens Antonio’s letter. Act IV, Scene 2 Summary Gratiano overtakes Portia and Nerissa as they seek Shylock’s house in order to have the usurer sign the deed willing his properties to Lorenzo. Shylock has found the elopement of his daughter with a Christian. Twice, we have watched Portia prepare to become a sort of sacrificial victim, as it were, to unwanted suitors. The exchange of vows between Portia and Bassanio is conducted at an intense and exalted level. The Elizabethans would have loved this ribald touch. The Elizabethans would have loved this ribald touch. He calls gold “hard food for Midas”; Midas imagined that gold itself could be something nutritive or life giving, and he starved to death for his mistake. We are never allowed to forget her intelligence because this element will be the key ingredient in the play’s climactic scene. A summary of Part X (Section3) in William Shakespeare's The Merchant of Venice. Read every line of Shakespeare’s original text alongside a modern English translation. So far, Venice and Belmont — the world of mercantile ventures and the world of love — have been kept separate. Bassanio rejects both of these caskets, and his reasons are significant in the total meaning of the play. Has not a single one of Antonio's ships returned safely? She knows that her father’s house is a veritable hell for her. Indicative of Portia's rare character in this scene is her immediate reaction to the crisis at hand. Antonio, however, denies that he is worried about his ships and remains depressed. Not one, Salerio replies, and besides, even if Antonio now had the money to repay Shylock it would do no good, for Shylock is already boasting of how he will demand "justice" and the payment of the penalty for the forfeited bond. Bassanio’s conduct suggests that the only use for wealth, for “all that he hath,” is in giving or risking it in the pursuit of happiness, not in hoarding it or worshipping it for its own sake. She also presents him with a ring, a symbol of their union, which he is never to “part from, lose, or give away.” Bassanio promises to wear the ring as long as he lives. Antonio keeps trying to plead his case, but to no avail. Jessica, the daughter of Shylock, meets with Lancelot and tells him that she will miss him after he leaves to go work for Bassanio. . She intends to meet him soon and run away from her father's house in order to marry Lorenzo. 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Gratiano has worked at it "until I sweat again," and he offers to bet that he and Nerissa will be the first of the two couples to produce a child, which rounds off the whole sequence with a typical coarse jest. While an argument can be made, based on Bassanio's focus on Portia's fortunes in Act 1, Scene 1, that his primary interest in Portia is financial, Act 3, Scene 2 helps dispel this possibility. Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means. Search all of SparkNotes Search. Shylock tells … When Bassanio's choice is made, Portia prays in an aside for help in containing her emotions. Jessica testifies to her father’s determination to “have Antonio’s flesh” rather than accept “twenty times the value of the sum” that Antonio owes. he makes the wrong … Removing #book# So by introducing Launcelot and Gratiano in the play, Shakespeare catered to the taste of the Elizabethan audience. The song which is sung, beginning "Tell me where is fancy bred," has ominous lyrics. Portia and Bassanio have presented their idyllic romantic love as something ideal; Gratiano readjusts the balance by the reminder that love is a physical as well as a spiritual union. Now, with the arrival of Lorenzo, Jessica, and Salerino from Venice, these two worlds meet, and the evils of wealth, spawned in Venice, disrupt the happy serenity of Belmont. About “The Merchant of Venice Act 3 Scene 2” Portia confesses her love to Bassanio and asks him to put off taking her father’s challenge so that he can’t lose at it. Themes and Colors Key LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work. The audience is taken back to Venice. Already she has fallen in love with him, and she fears the outcome. 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